Inicio > Artes > The Television Code
The Television Code

The Television Code

Deborah L. Jaramillo / Deborah LJaramillo

122,08 €
IVA incluido
Consulta disponibilidad
Editorial:
Univ of Chicago behalf of University of Texas
Año de edición:
2018
Materia
Artes
ISBN:
9781477316443

Selecciona una librería:

  • Librería Samer Atenea
  • Librería Aciertas (Toledo)
  • Kálamo Books
  • Librería Perelló (Valencia)
  • Librería Elías (Asturias)
  • Donde los libros
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)

The broadcasting industry’s trade association, the National Association of Broadcasters (NAB), sought to sanitize television content via its self-regulatory document, the Television Code. The Code covered everything from the stories, images, and sounds of TV programs (no profanity, illicit sex and drinking, negative portrayals of family life and law enforcement officials, or irreverence for God and religion) to the allowable number of commercial minutes per hour of programming. It mandated that broadcasters make time for religious programming and discouraged them from charging for it. And it called for tasteful and accurate coverage of news, public events, and controversial issues. Using archival documents from the Federal Communications Commission, NBC, the NAB, and a television reformer, Senator William Benton, this book explores the run-up to the adoption of the 1952 Television Code from the perspectives of the government, TV viewers, local broadcasters, national networks, and the industry’s trade association. Deborah L. Jaramillo analyzes the competing motives and agendas of each of these groups as she builds a convincing case that the NAB actually developed the Television Code to protect commercial television from reformers who wanted more educational programming, as well as from advocates of subscription television, an alternative distribution model to the commercial system. By agreeing to self-censor content that viewers, local stations, and politicians found objectionable, Jaramillo concludes, the NAB helped to ensure that commercial broadcast television would remain the dominant model for decades to come.

Artículos relacionados

  • The Eagle Returns
    C. Paul Burnham / CPaul Burnham
    The Gospel of John was long assumed to be the work of an eyewitness, usually identified as John, son of Zebedee. More recently, many have judged it the unhistorical product of a ''Johannine community.'' Reconsideration by Richard Bauckham has suggested that the author was a Jerusalem disciple who housed the ''Last Supper.'' This book explores the possibility that he was present...
    Disponible

    11,04 €

  • The Old Testament in Theology and Teaching
    APTS Press is privileged to offer this festschrift honoring Dr. Kay Fountain, who for more than twenty years has served the Lord at the Asia Pacific Theological Seminary (APTS), in Baguio City, Philippines, first as a student, then as a faculty member and finally as the Academic Dean. Our hope is that this book will reflect her passion for teaching and understanding the Old Tes...
    Disponible

    22,13 €

  • MEL4414 - Roberto Grela, La guitarra del tango
    Julián Graciano
    del mayor guitarrista de la historia del tango. Con solo percibir el empleo del plectro (la llamada púa de guitarra en nuestro canyengue) descubrimos un sonido y estilo tan particular que terminó por deslumbrar a todos. Pero si decimos “bastaría”, en potencial, es que nos debemos mucho más: suele decirse del gran Aníbal Troilo que su música y sus orquestas son la gran marca de ...
    Disponible

    29,64 €

  • Through the years with prince charming
    Paul du Quenoy
    The past decade has overflowed in a raging stream of contradictions. Old certainties have yielded to relentless insecurity over a time when much of the human experience got immeasurably better even as many things only ever seemed to get worse. As Paul du Quenoy’s globetrotting criticism reveals, the arts were in a ferment that matched profound and yet totally unpredicted social...
  • Tommaso Traetta and the Fusion of Italian and French Opera in Parma
    George W. Loomis
    In 1759, the court of the Italian Duchy of Parma adopted the inspiration of cultural creators who recommended a reform of Italian opera along French lines. These writers favored combining Italian-style music with the wider range of musical genres and scenic variety of French opera. As the music critic and commentator George W. Loomis shows in this groundbreaking volume, the you...
  • Somerset Maugham and the Cinema
    Robert Calder
    William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century-and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for ma...