Inicio > Artes > The Euro-American Cinema
The Euro-American Cinema

The Euro-American Cinema

Peter Lev

26,88 €
IVA incluido
Disponible
Editorial:
Univ of Chicago behalf of University of Texas
Año de edición:
1993
Materia
Artes
ISBN:
9780292746787
26,88 €
IVA incluido
Disponible

Selecciona una librería:

  • Librería Samer Atenea
  • Librería Aciertas (Toledo)
  • Kálamo Books
  • Librería Perelló (Valencia)
  • Librería Elías (Asturias)
  • Donde los libros
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)
Sobre IBD

With McDonalds in Moscow and Disneyland in Paris and Tokyo, American popular culture is spreading around the globe. Regional, national, and ethnic cultures are being powerfully affected by competition from American values and American popular forms. This literate and lively study explores the spread of American culture into international cinema as reflected by the collision and partial merger of two important styles of filmmaking: the Hollywood style of stars, genres, and action, and the European art film style of ambiguity, authorial commentary, and borrowings from other arts. Peter Lev departs from the traditional approach of national cinema histories and discusses some of the blends, overlaps, and hegemonies that are typical of the world film industry of recent years. In Part One, he gives a historical and theoretical overview of what he terms the 'Euro-American art film,' which is characterized by prominent use of the English language, a European art film director, cast and crew from at least two countries, and a stylistic mixing of European art film and American entertainment. The second part of Lev’s study examines in detail five examples of the Euro-American art film: Contempt (1963), Blow-Up (1966), The Canterbury Tales (1972), Paris, Texas (1983), and The Last Emperor (1987). These case studies reveal that the European art film has had a strong influence on world cinema and that many Euro-American films are truly cultural blends rather than abject takeovers by Hollywood cinema.

Artículos relacionados

  • The Eagle Returns
    C. Paul Burnham / CPaul Burnham
    The Gospel of John was long assumed to be the work of an eyewitness, usually identified as John, son of Zebedee. More recently, many have judged it the unhistorical product of a ''Johannine community.'' Reconsideration by Richard Bauckham has suggested that the author was a Jerusalem disciple who housed the ''Last Supper.'' This book explores the possibility that he was present...
    Disponible

    11,04 €

  • The Old Testament in Theology and Teaching
    APTS Press is privileged to offer this festschrift honoring Dr. Kay Fountain, who for more than twenty years has served the Lord at the Asia Pacific Theological Seminary (APTS), in Baguio City, Philippines, first as a student, then as a faculty member and finally as the Academic Dean. Our hope is that this book will reflect her passion for teaching and understanding the Old Tes...
    Disponible

    22,13 €

  • MEL4414 - Roberto Grela, La guitarra del tango
    Julián Graciano
    del mayor guitarrista de la historia del tango. Con solo percibir el empleo del plectro (la llamada púa de guitarra en nuestro canyengue) descubrimos un sonido y estilo tan particular que terminó por deslumbrar a todos. Pero si decimos “bastaría”, en potencial, es que nos debemos mucho más: suele decirse del gran Aníbal Troilo que su música y sus orquestas son la gran marca de ...
    Disponible

    29,64 €

  • Through the years with prince charming
    Paul du Quenoy
    The past decade has overflowed in a raging stream of contradictions. Old certainties have yielded to relentless insecurity over a time when much of the human experience got immeasurably better even as many things only ever seemed to get worse. As Paul du Quenoy’s globetrotting criticism reveals, the arts were in a ferment that matched profound and yet totally unpredicted social...
  • Tommaso Traetta and the Fusion of Italian and French Opera in Parma
    George W. Loomis
    In 1759, the court of the Italian Duchy of Parma adopted the inspiration of cultural creators who recommended a reform of Italian opera along French lines. These writers favored combining Italian-style music with the wider range of musical genres and scenic variety of French opera. As the music critic and commentator George W. Loomis shows in this groundbreaking volume, the you...
  • Somerset Maugham and the Cinema
    Robert Calder
    William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century-and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for ma...

Otros libros del autor

  • Twentieth Century-Fox
    Peter Lev
    When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios. Though working from separate offices in New York and Los Angeles and of...
    Disponible

    44,31 €

  • American Films of the 70s
    Peter Lev
    While the anti-establishment rebels of 1969’s Easy Rider were morphing into the nostalgic yuppies of 1983’s The Big Chill, Seventies movies brought us everything from killer sharks, blaxploitation, and disco musicals to a loving look at General George S. Patton. Indeed, as Peter Lev persuasively argues in this book, the films of the 1970s constitute a kind of conversation about...
    Disponible

    33,38 €