Inicio > Artes > History Under Control
History Under Control

History Under Control

History Under Control

Harold T. Bryson

28,10 €
IVA incluido
Disponible
Editorial:
Parson's Porch Books
Año de edición:
2011
Materia
Artes
ISBN:
9781936912230
28,10 €
IVA incluido
Disponible

Selecciona una librería:

  • Librería Samer Atenea
  • Librería Aciertas (Toledo)
  • Kálamo Books
  • Librería Perelló (Valencia)
  • Librería Elías (Asturias)
  • Donde los libros
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)

The book of Revelation is the strangest book in the New Testament. It opens with an unusual vision of a person who has hair white as snow, eyes as a flame of fire, feet like burnished bronze; and from his mouth comes a sharp, two-edged sword. The narrative continues with One seated on a throne who is described with precious jewels. He is surrounded by twenty-four elders and four living creatures. In the throne area a Lamb appears and looks as if he has been killed. But the Lamb is alive, and he takes a scroll from the right hand of the One on the throne. Action in Revelation intensifies with seals opening, trumpets sounding, and bowls pouring. Strange creatures appear: a beast with the qualities of a leopard, bear, and a lion; a woman clothed with the sun, the moon under her feet, and a crown of twelve stars on her head; an enormous red dragon with seven heads, ten horns, and ten crowns on his head; an army of locusts with human-like faces and tails that sting like scorpions; and a rider riding a white horse and wearing a robe dipped in blood. Readers of Revelation encounter frequent use of numbers such as seven seals, seven trumpets, seven bowls, ten horns, and ten crowns. They wonder about a beast numbered 666, a reign of a thousand years, and the appearance of 144,000 people surrounding the One on the throne. The book of Revelation closes with the appearance of a celestial city with streets of gold and gates of pearl. Though Revelation is a strange book, it is intended to be an understandable book. Do you think God would have given a message to John that the seven churches of Asia could not understand? The reason Revelation seems so different to modern readers is because of its unusual language. The kind of writing is called apocalyptic literature. First-century readers knew about Jewish apocalypses and the messages they conveyed. The writer of Revelation adopted the figurative and symbolic language of apocalyptic literature to communicate God's message to seven churches. Revelation was understandable to its first-century readers. It can be understood by any reader who takes the time to learn the book's life situation and its unique, apocalyptic style. Under God's inspiration John writes to believers in an alien, hostile environment. These readers desperately needed the message of Revelation. They suffered persecution from the Roman authorities. It was a time of chaos, uncertainty, and fear. The future seemed extremely dark and painfully hopeless. God instructed John to lift the veil so the readers could look beyond the visible. The central truth John wants to communicate is that the world and all its events are under the control of God.

Artículos relacionados

  • The Eagle Returns
    C. Paul Burnham / CPaul Burnham
    The Gospel of John was long assumed to be the work of an eyewitness, usually identified as John, son of Zebedee. More recently, many have judged it the unhistorical product of a ''Johannine community.'' Reconsideration by Richard Bauckham has suggested that the author was a Jerusalem disciple who housed the ''Last Supper.'' This book explores the possibility that he was present...
    Disponible

    11,04 €

  • The Old Testament in Theology and Teaching
    APTS Press is privileged to offer this festschrift honoring Dr. Kay Fountain, who for more than twenty years has served the Lord at the Asia Pacific Theological Seminary (APTS), in Baguio City, Philippines, first as a student, then as a faculty member and finally as the Academic Dean. Our hope is that this book will reflect her passion for teaching and understanding the Old Tes...
    Disponible

    22,13 €

  • MEL4414 - Roberto Grela, La guitarra del tango
    Julián Graciano
    del mayor guitarrista de la historia del tango. Con solo percibir el empleo del plectro (la llamada púa de guitarra en nuestro canyengue) descubrimos un sonido y estilo tan particular que terminó por deslumbrar a todos. Pero si decimos “bastaría”, en potencial, es que nos debemos mucho más: suele decirse del gran Aníbal Troilo que su música y sus orquestas son la gran marca de ...
    Disponible

    29,64 €

  • Through the years with prince charming
    Paul du Quenoy
    The past decade has overflowed in a raging stream of contradictions. Old certainties have yielded to relentless insecurity over a time when much of the human experience got immeasurably better even as many things only ever seemed to get worse. As Paul du Quenoy’s globetrotting criticism reveals, the arts were in a ferment that matched profound and yet totally unpredicted social...
    Disponible

    141,06 €

  • Tommaso Traetta and the Fusion of Italian and French Opera in Parma
    George W. Loomis
    In 1759, the court of the Italian Duchy of Parma adopted the inspiration of cultural creators who recommended a reform of Italian opera along French lines. These writers favored combining Italian-style music with the wider range of musical genres and scenic variety of French opera. As the music critic and commentator George W. Loomis shows in this groundbreaking volume, the you...
    Disponible

    198,69 €

  • Somerset Maugham and the Cinema
    Robert Calder
    William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century-and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for ma...
    Disponible

    113,99 €