Inicio > Artes > 首尾圆合,条贯统序:李渔'结构第一'的编剧理论 Round Combination Of Beginning And End, Coherent And Orderly
首尾圆合,条贯统序:李渔'结构第一'的编剧理论 Round Combination Of Beginning And End, Coherent And Orderly

首尾圆合,条贯统序:李渔'结构第一'的编剧理论 Round Combination Of Beginning And End, Coherent And Orderly

唐志

34,20 €
IVA incluido
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Editorial:
China National Publications Import & Export C
Año de edición:
2022
Materia
Artes
ISBN:
9787521215649
34,20 €
IVA incluido
Disponible

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'明代著名戏剧家李渔是中国戏曲理论的集大成者,被后世誉为'东方的莎士比亚',他建立了理论内容丰富、自成系统、具有民族特色的戏剧理论体系。本书通过李渔的创作活动,特别是其创作剧本的全面分析,深化了对'结构'编剧理论的认识,括清了一些理论概念,更清晰地解释了李渔编剧理论的范畴性、 系统性和整体性,以及它的文学体制性,不仅对现有的李渔研究作出了有意义的补充, 也为当下的戏剧创作者提供了可资借鉴的学习思路。本书是中央高校科研资助项目。 内容简介李渔是中国戏曲理论的集大成者,他的戏曲理论主要集中在其著作《闲情偶寄》的'词曲'、'演习'二部,涉及编剧、导演、表演、舞台美术、演员训练等舞台艺术的方方面面,其中,又以他在编剧理论方面的贡献更为引人瞩目。以往,戏剧理论界对李渔'结构'编剧理论的研究,往往是就理论谈理论,缺乏与李渔创作实践的结合。本文从李渔的《笠翁十种曲》中,重点选取了《比目鱼》《蜃中楼》两部作品,并结合其它剧作,通过李渔'结构'编剧理论在其本人的创作实践中的运用,更加全面、深入地理解其概念的真实内涵。通过李渔的创作活动,特别是其创作剧本的全面分析,深化了对'结构'编剧理论的认识,括清了一些理论概念,更清晰地解释了李渔编剧理论的范畴性、系统性和整体性,以及它的文学体制性。作者简介唐志,1989年生,中央戏剧学院助理研究员。2007年以专业成绩全国名考入中央戏剧学院戏剧文学系本科,并先后获得学士、硕士、博士学位。主要研究方向:编剧理论与技法、编剧学理论。发表学术论文多篇,发表戏剧类名家访谈、专题文章数十万字,参与科研课题多项。

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