Inicio > Artes > Ben Sira and the Men Who Handle Books
Ben Sira and the Men Who Handle Books

Ben Sira and the Men Who Handle Books

Claudia V. Camp / Claudia VCamp

102,15 €
IVA incluido
Consulta disponibilidad
Editorial:
Sheffield Phoenix Press
Año de edición:
2013
Materia
Artes
ISBN:
9781907534744

Selecciona una librería:

  • Librería Samer Atenea
  • Librería Aciertas (Toledo)
  • Kálamo Books
  • Librería Perelló (Valencia)
  • Librería Elías (Asturias)
  • Donde los libros
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)

What have women to do with the rise of canon-consciousness in early Judaism? Quite a lot, Claudia Camp argues, if the book written by the early second-century BCE scribe, Ben Sira, is any indication. One of the few true misogynists in the biblical tradition, Ben Sira is beset with gender anxiety, fear that his women will sully his honor, their shame causing his name to fail from the eternal memory of his people. Yet the same Ben Sira appropriates the idealized figure of cosmic Woman Wisdom from Proverbs, and identifies her with ’the book of the covenant of the most high God, the law that Moses commanded us’.This, then, is Ben Sira’s dilemma: a woman (Wisdom) can admit him to eternity but his own women can keep him out. It is Camp’s thesis that these conflicted perceptions of gender are fundamental to Ben Sira’s appropriation and production of authoritative religious literature, and that a critical analysis of his gender ideology is thus essential for understanding his relationship to an emerging canon. Ben Sira writes a book, and writes himself into his book, creating a possession into which he can sublimate his anxiety about the women he cannot truly possess and the God he cannot truly trust.What is more, if Ben Sira can be considered representative of his scribal class and context, his work may also provide a window into aspects of the larger cultural process of canon building, including the question of whether we would have a canon at all-or have the canon we have-if the men in that particular patriarchal culture had not coded it in the gendered terms that Ben Sira did.

Artículos relacionados

  • The Eagle Returns
    C. Paul Burnham / CPaul Burnham
    The Gospel of John was long assumed to be the work of an eyewitness, usually identified as John, son of Zebedee. More recently, many have judged it the unhistorical product of a ''Johannine community.'' Reconsideration by Richard Bauckham has suggested that the author was a Jerusalem disciple who housed the ''Last Supper.'' This book explores the possibility that he was present...
    Disponible

    11,04 €

  • The Old Testament in Theology and Teaching
    APTS Press is privileged to offer this festschrift honoring Dr. Kay Fountain, who for more than twenty years has served the Lord at the Asia Pacific Theological Seminary (APTS), in Baguio City, Philippines, first as a student, then as a faculty member and finally as the Academic Dean. Our hope is that this book will reflect her passion for teaching and understanding the Old Tes...
    Disponible

    22,13 €

  • MEL4414 - Roberto Grela, La guitarra del tango
    Julián Graciano
    del mayor guitarrista de la historia del tango. Con solo percibir el empleo del plectro (la llamada púa de guitarra en nuestro canyengue) descubrimos un sonido y estilo tan particular que terminó por deslumbrar a todos. Pero si decimos “bastaría”, en potencial, es que nos debemos mucho más: suele decirse del gran Aníbal Troilo que su música y sus orquestas son la gran marca de ...
    Disponible

    29,64 €

  • Through the years with prince charming
    Paul du Quenoy
    The past decade has overflowed in a raging stream of contradictions. Old certainties have yielded to relentless insecurity over a time when much of the human experience got immeasurably better even as many things only ever seemed to get worse. As Paul du Quenoy’s globetrotting criticism reveals, the arts were in a ferment that matched profound and yet totally unpredicted social...
  • Tommaso Traetta and the Fusion of Italian and French Opera in Parma
    George W. Loomis
    In 1759, the court of the Italian Duchy of Parma adopted the inspiration of cultural creators who recommended a reform of Italian opera along French lines. These writers favored combining Italian-style music with the wider range of musical genres and scenic variety of French opera. As the music critic and commentator George W. Loomis shows in this groundbreaking volume, the you...
  • Somerset Maugham and the Cinema
    Robert Calder
    William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century-and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for ma...