Charles H. Bennett / Charles HBennett / Francis Quarles
Librería Samer Atenea
Librería Aciertas (Toledo)
Kálamo Books
Librería Perelló (Valencia)
Librería Elías (Asturias)
Donde los libros
Librería Kolima (Madrid)
Librería Proteo (Málaga)
Quarles’ Emblems is a living meeting of picture and proverb, a book where image and moral counsel arrive together. Image and verse as one. Francis Quarles’ work stands among the most arresting English emblem book creations of early modern England, marrying emblematic engravings with compact verse to form a moral allegory anthology of quiet power. The poems follow seventeenth-century poetry habits - short, rhetorical, and designed to prompt inward reckoning - and the accompanying pictorial motifs turn abstract virtues and vices into palpable scenes. Read as devotional reading or as attentive religious reflections, these short pieces translate Christian symbolism into daily practice, offering illustrated moral lessons that reward casual attention and deep study alike. As a strand of renaissance emblem literature, Quarles bridges print, image and piety: the result is both intimate spiritual meditations and barbed moral observation. The language remains direct enough for modern readers yet rich with period nuance, making it invaluable poetry for scholars and a treasured discovery for anyone building a classic literature collection.Republished by Alpha Editions in a careful modern edition, this volume preserves the spirit of the original while making it effortless to enjoy today - a heritage title prepared for readers and collectors alike. Rich with emblematic detail and moral wit, Quarles’ Emblems suits multiple kinds of readers: those seeking contemplative devotional reading and lucid spiritual meditations will find passages that settle the mind, while collectors and lovers of classic literature will appreciate its place in the arc of renaissance emblem literature. For poetry for scholars and students of early modern England it supplies vivid evidence of how Christian symbolism and private piety were printed for popular consumption; for casual readers the mixtures of image and shorthand verse offer immediate imaginative entry. Presented with care and a respectful eye to the original voice, the volume rewards re-reading and quiet attention, whether taken down for a moment of personal reflection or kept as part of a curated shelf. It is approachable and intellectually fertile, a readable companion through the moral imagination of the seventeenth century.
