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Politics and Aesthetics of the Female Form, 1908-1918

Politics and Aesthetics of the Female Form, 1908-1918

Georgina Williams

148,28 €
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Editorial:
Springer Nature B.V.
Año de edición:
2019
Materia
Historia social y cultural
ISBN:
9783030093112
148,28 €
IVA incluido
Disponible

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Sobre IBD

This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth’s ’line of beauty’ are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women’s roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence.

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Otros libros del autor

  • Politics and Aesthetics of the Female Form, 1908-1918
    Georgina Williams
    This book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and ...
  • Propaganda and Hogarth’s Line of Beauty in the First World War
    Georgina Williams
    Propaganda and Hogarth’s ’Line of Beauty’ in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth’s eighteenth-century theory of a ’line of beauty’, and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth’s belief that this line epitomises not only movement, but mo...