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Jill Carrick’s Nouveau Réalisme, 1960s France, and the Neo-avantgarde provides the first in-depth historical analysis of the 'New Realism' movement and the critical and theoretical debates it engaged. This text makes available a new corpus of material -- the rich historical and theoretical analysis as well as the fascinating photographic documentation of artists and works -- from one of the most significant French art movements of the post-World War II period.