Librería Samer Atenea
Kálamo Books
Librería Elías (Asturias)
Librería Kolima (Madrid)
Librería Proteo (Málaga)
'My Thirty Years’ War, an Autobiography' is the vibrant and uncompromising memoir of Margaret C. Anderson, the visionary founder and editor of the influential modernist magazine, 'The Little Review'. Spanning the first three decades of the twentieth century, the narrative offers an intimate look at the birth of modern literature and the radical aesthetic shifts that defined an era. Anderson recounts her experiences at the center of the literary avant-garde, from the magazine’s humble beginnings in Chicago to its eventual move to New York and Paris.The work provides a firsthand account of the challenges and triumphs of championing experimental art, most notably the serialization of James Joyce’s 'Ulysses' and the subsequent legal battles over obscenity. Anderson’s prose is as spirited as her convictions, detailing her interactions with iconic figures such as Ezra Pound, T.S. Eliot, Gertrude Stein, and Ernest Hemingway. More than just a literary history, this autobiography is a testament to a life lived with intellectual passion and a relentless pursuit of artistic excellence. It captures the essence of the 'Lost Generation' and the bohemian spirit of the early 20th century, making it an essential text for understanding the development of modernism and the history of independent publishing.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
