Guerrilla Theatre

Guerrilla Theatre

Guerrilla Theatre

J. Paul Moore

10,25 €
IVA incluido
Disponible
Editorial:
Ion Drive Publishing
Año de edición:
2009
Materia
Teatro: capacidades técnicas y de ambientación escénica
ISBN:
9780981714370
Páginas:
237
Encuadernación:
Rústica
10,25 €
IVA incluido
Disponible

Selecciona una librería:

  • Librería Samer Atenea
  • Librería Aciertas (Toledo)
  • Kálamo Books
  • Librería Perelló (Valencia)
  • Librería Elías (Asturias)
  • Donde los libros
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)

Guerilla Theatre is a nuts-and-bolts approach to the kind of interactive environmental theatre found only at Faires, and is a superb handbook for both the beginner and advanced street/improvisational actor. Written by J. Paul Moore, a forty-year Renaissance Faire performance veteran and a master of improvisational theatre, the book guides the reader through the crafting and performing of a wide variety of ways to entertain Faire-goers, singly and in groups. The book is edited by Phyllis Patterson, the creator of the original Renaissance Pleasure Faire in Agoura, California. Different than any other kind of theatre, the streets of the Faire are the actor’s stage, and the flowing ever-changing crowd their audience. In Guerilla Theatre, Mr. Moore supplies a how-to guide for mastering the required skills for playing to this audience, along with exercises, illustrations, a generous number of gambits that worked for him, and a goodly helping of war stories. What is Guerrilla Theatre? Guerrilla Theatre for Faires is an interactive style of improvisational performance allowing audiences to become actual players in the show. The experience is by turns aggressive, passive, intimate, distant, obvious and covert. There are as many approaches as there are people to approach it. It is a broad, colorful, and captivating way of approaching the Faire canvas. Although a passion and/or talent for improvisation will prove invaluable in Guerrilla Theatre, the technique of creating distant visuals and hatching covert operations require little or no such calling. In fact, one can oft times recruit players from the audience to join your merry band on the spot – some more willingly than others. As a lone wolf or member of a group, one can create an exhilarating and compelling under-current of village life in Shakespeare’s England. About the Author A Theatre Arts major at Los Angeles City College, Mr. Moore began a forty year affiliation with the Southern (California) Renaissance Pleasure Faire in 1967.  Over his tenure, Mr. Moore has taught pre-faire workshops in Elizabethan Language, Swashbuckling 101, and Guerrilla Theatre. In addition to writing and directing many stage shows he has portrayed major theme characters, including Robin Hood, Sir Francis Drake, the Lord Mayor, Captain and Sir Tristan Hawkins. A co-founder of several theatrical and environmental groups, Mr. Moore has also directed a covert band of theatre guerrillas, The Lord Mayor’s Players, and much of the material detailed in the Compendium of Bits chapter evolved from the talents of these troupes.     A magician as well as an actor and author, Mr. Moore has appeared on numerous occasions at The Magic Castle in Hollywood, as well as in many films. In addition to Guerrilla Theatre, he has also written Busking as a Mercenary Art and Swash-Buckling 101. His colleague at the Southern Faire, the highly regarded David Springhorn, has this to say about Mr. Moore and his new book: “What we have here is a battle manual made by a Captain in the trenches, and I highly suggest you follow it. J. Paul Moore taught me more than “gorilla” theater: he gave me the gift of communicating Magic to an audience; how to alter their reality and my own; how to destroy the thin membrane between actor and spectator; how to put myself on the line so I could draw the audience into the Faire’s communal soul. Think I am laying it on too thick?  Well, pal, if you’re not having this same intense personal experience with the crowd, you ain’t doin’ it right!”   3

Artículos relacionados

  • Period Costume for Stage & Screen
    Jean Hunnisett
    Use This Complete Guide as Your Resource for CostumingJean Hunnisett’s three-volume Period Costumes for the Stage & Screen is the ultimate resource for the accurate costuming of women. Spanning fashionable and common dress from medieval times to the early 1900s, these guides detail the patterns of the ages. Reflecting knowledge gained from 25 years of making costumes for theate...
    Disponible

    35,76 €

  • Innovating the Design Process
    David E. Smith
    Innovating the Design Process: A Theatre Design Journey explores the process of designing for theatre and details how each part of a designer’s own process, no matter what their design specialization, can be innovated and adapted for a more confident journey and for better outcomes.  ...
  • Contemporary Dance Lighting
    Carol M. Press / Vickie J. Scott
    Contemporary Dance Lighting: The Poetry and the Nitty-Gritty dynamically guides students toward aesthetically, creatively, and skillfully becoming lighting designers for dance in the 21st century.  ...
  • Costume Design
    T.M. Delligatti
    Costume Design: The Basics provides an overview of the fundamental principles of theatrical costume design, from pre-production through opening night. Peppered with interviews with working costume designers, it provides an understanding of what it means to be a costume designer and offers a strong foundation for additional study. ...
    Disponible

    32,92 €

  • Convent Theatre in Early Modern Italy
    Elissa B. Weaver / Elissa BWeaver
    ...
    Disponible

    61,44 €

  • Innovating the Design Process
    David E. Smith
    Innovating the Design Process: A Theatre Design Journey explores the process of designing for theatre and details how each part of a designer’s own process, no matter what their design specialization, can be innovated and adapted for a more confident journey and for better outcomes.  ...
    Disponible

    65,52 €