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Critical Race Theory and Copyright in American Dance

Critical Race Theory and Copyright in American Dance

Caroline Joan S. Picart

132,74 €
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Editorial:
Springer Nature B.V.
Año de edición:
2013
Materia
Estudios étnicos
ISBN:
9781137321961

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Sobre IBD

The effort to win federal copyright protection for dance choreography in the United States was a simultaneously racialized and gendered contest. Copyright and choreography, particularly as tied with whiteness, have a refractory history. This book examines

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  • Critical Race Theory and Copyright in American Dance
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    The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham. ...
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    The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham. ...
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