Historia del arte: arte antiguo y clásico, a. e. c.-c. 500

Artes / Historia del arte / estilos de arte y diseño / Historia del arte: arte antiguo y clásico, a. e. c.-c. 500 (18)

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  • L’Art du diable
    Arturo Graf
    « C’est le Diable qui tient les fils qui nous remuent ! »(Charles Beaudelaire, Les Fleurs du Mal, 1857)Satan, Belzébuth, Lucifer… le Diable possède de multiples noms et visages qui, toujours, furent une grande source d’inspiration pour les artistes. Longtemps commanditées par les instances religieuses, pour en faire, selon les civilisations, un objet de crainte ou de vénération...
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    44,67 €

  • La sculpture grecque
    Edmund von Mach
    Si l’âme est chrétienne, la beauté est grecque. Freud définit l’esthétisme comme une construction intellectuelle de paramètres personnels qui s’exprime en émotions sublimées. Avec la sculpture grecque, l’homme devient dieu, et les dieux font don de leur apparence à l’humanité.Défiant les lois de la gravité, les sculpteurs grecs découvrent les fragiles équilibres des formes, des...
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    44,67 €

  • Le Christ dans l’art
    MAGGIORINO di CALOSSO
    La figure du Christ a, depuis toujours, inspiré les artistes. Déjà, dans les catacombes de l’Antiquité romaine, son portrait apparaissait sur les fresques murales. Plus tard, la vie du Christ se découpe dans les vitraux des églises gothiques ou se dessine sur les toiles des artistes de la Renaissance. Cependant, la figuration du Seigneur ne répond pas à une codification particu...
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    44,67 €

  • Les Arts de l’Afrique noire
    Maurice Delafosse
    Depuis sa redécouverte, notamment grâce aux expositions coloniales de la fin du XIXe et du début du XXe siècle, l’art africain est une inépuisable source d’inspiration pour les artistes qui le réinterprètent perpétuellement.La puissance de l’art de l’Afrique noire réside dans sa diversité plastique, laquelle démontre la prodigieuse inventivité des artistes qui en conçurent les ...
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    44,67 €

  • Ivan Aïvazovski
    Victoria Charles
    Les marines d’Ivan Aivazovsky (1817-1900) ont fait sa renommée en Russie, son pays natal où il était peintre de cour pour Nicolas Ier, mais n’ont que peu dépassé ces frontières. Maître du Sublime, il a fait de l’océan le sujet principal de son Œuvre. Tantôt déchaîné et cataclysmique, tantôt calme et apaisant, l’élément marin constitue autant d’allégories de la condition humaine...
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    35,88 €

  • L’Art de l’Inde
    Vincent Smith
    Terre ancestrale, l’Inde possède une tradition artistique variée : son architecture, sa peinture, sa sculpture, sa calligraphie, ses mosaïques sont autant de médias artistiques qui soulignent la richesse culturelle, religieuse,et philosophique du pays.De l’hindouisme avecson panthéon de dieux polymorphes, à l’islam avec son architecture stupéfiante et sa calligraphie très élabo...
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    44,67 €

  • The Art of Death
    Victoria Charles
    Since the first funerary statues were placed in the first sepulchers, the ideas of death and the afterlife have always held a prominent place at the heart of the art world. An unlimited source of inspiration where artists can search for the expression of the infinite, death remains the object of numerous rich illustrations, as various as they are mysterious. The ancient Egyptia...
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    44,67 €

  • Art of India
    Vincent Arthur Smith
    India, with its extensiveand colourful history, has produced an artistic tradition in many forms. Architecture, painting, sculpture, calligraphy, mosaics, and artisan products all display the country’s cultural, religious, and philosophical richness. From Hinduism, with its pantheon of imagery of gods, goddesses, animals, and many other figures, to Islam, with its astounding ar...
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    44,67 €

  • Memory of Empires
    Georges BERNANOS
    Empires are born. Empires reach theirpeak. Empires die, but leave theirmark through their architecture andartistic achievements. From these specksof dust of memory, 40 centuries of historyshape our world of the 21st century. Thepower of ancient Egypt was followed bythe influence of Greece, which broughtthe Persian East together in the conquestsof Alexander the Great. After Cleo...
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    73,79 €

  • African Art
    Maurice Delafosse
    African Art invites you to explore the dynamic origins of the vast artistic expressions arising from the exotic and mystifying African continent.Since its rediscovery through the colonial exhibitions at the end of the 19th century, African art has been an unlimited source of inspiration for artists who, over time, have perpetually recreated these artworks.The power of Sub-Sahar...
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    44,67 €

  • Ivan Aivazovsky
    Victoria Charles
    The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimescalm and peaceful, the life of the ocean is composed of as many allegories as...
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    35,88 €

  • Christ in Art
    Ernest Renan
    Since the dawn of Christianity, artists have been fascinated and stirred by the figure of Christ. His likeness appears in frescoes on the walls of catacombs that date from Roman times; he is featured in the stained glass windows of Gothic churches; and he can be found in various forms in today’s pop culture. The Biblical Saviour is not a static, immaterial deity: Christ’s morta...
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    44,67 €

  • Greek Sculpture
    Edmund von Mach
    If the Soul is Christian, Beauty is Greek. Freud defines aesthetics as the intellectual construction of personal parameters that express themselves in sublime emotions. In Greek sculpture, man becomes God, and the gods lend their image to humanity. Defying the laws of gravity, Greek sculptors explored the harmony, forms, and spaces that have shaped our unconscious according to ...
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    44,67 €

  • Art of the Devil
    Arturo Graf
    “The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857). Satan, Beelzebub, Lucifer… the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct bel...
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    44,67 €

  • John Singer Sargent
    Evan Charteris
    John Singer Sargent (1856-1925) was born in Florence. His paintings carry the mark of his privileged upbringing; the influence of Florence, the struggle between nature and culture – from rolling landscapes to galleries filled with masterpieces – as well as the constant opportunity to partake in intellectual and artistic discussions all played an important role in his training a...
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    35,88 €

  • Élisabeth Vigée-Lebrun
    W. H. Helm
    Élisabeth Vigée-Lebrun (1755-1842) was not only the rare woman of her time who integrated herself into the French Royal Academy of Painting, but also beloved portraitist to the aristocracy. Her paintings are testament to a key period of history: she was appointed painter and friend to Marie Antoinette before the French Revolution, and took flight across Europe before returning ...
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    35,88 €

  • Le Peinture académique
    Klaus H. Carl
    La peinture académique désigne la peinture créée sous l’influence de l’Académie royale de peinture et de sculpture inaugurée en 1648. Philippe de Champaigne, peintre académique majeur du XVIIe siècle français, a dispensé plusieurs conférences à ce sujet. Elles sont illustrées par de nombreuses peintures, du XVIIe siècle à la fin du XIXe siècle. Ces discours ont permis de fixer ...
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    35,88 €

  • James McNeill Whistler
    Patrick Chaleyssin
    Whistler’s work can be divided into four periods. The first was a research period in which the artist was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the por...
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    35,88 €