Librería Samer Atenea
Librería Aciertas (Toledo)
Kálamo Books
Librería Perelló (Valencia)
Librería Elías (Asturias)
Donde los libros
Librería Kolima (Madrid)
Librería Proteo (Málaga)
List of Illustrations Acknowledgements Notes on Contributors Introduction; J .Batchelor & C.Kaplan SECTION I: DRESS AND ADORNMENT Women and their Jewels; M.Pointon Fanny’s Pockets: Cotton, Consumption and Domestic Economy, 1780-1850; B.Burman & J.White ’Changing her gown and setting her head to rights’: New Shops, New Hats, and New Identities; J.Heydt-Stevenson SECTION II: WOMEN AND SCULPTURE Sculpting in Tiaras: Grand Duchess Maria Federovna as a Producer and Consumer of the Arts; R.P.Blakesley Pride and Prejudice: Eighteenth-Century Women Sculptors and their Material Practices; M.Sterckx A Female Sculptor and Connoisseur: Artistic Self-Fashioning and the Exposure of Connoisseurship, Collecting and Concupiscence; A.Escott SECTION III: THE MATERIAL CULTURE OF EMPIRE ’The Taste for Bringing the Outside In’: Nationalism, Gender and Landscape Wallpaper (1700-1825); E.K.Johnson Taihu Tatlers: Aesthetic Translation in the China Trade; D.L.Porter White Slavery: Hannah More, Women and Fashion; E.K.Wallace SECTION IV: WOMEN AND BOOKS Reinstating ’The Pamela Vogue’; J.Batchelor The Book as Cosmopolitan Object: Women’s Publishing, Collecting, and Anglo-German Exchange; A.Johns ’Books Without Which I Cannot Write’: How did Eighteenth-Century Women Writers Get the Books they Read?; S.Staves Select Bibliography Index
