Inicio > Artes > Música > Trajectories and Themes in World Popular Music
Trajectories and Themes in World Popular Music

Trajectories and Themes in World Popular Music

Simone Krueger Bridge

127,86 €
IVA incluido
Consulta disponibilidad
Editorial:
Equinox Publishing
Año de edición:
2018
Materia
Música
ISBN:
9781781796214

Selecciona una librería:

  • Librería Samer Atenea
  • Librería Aciertas (Toledo)
  • Kálamo Books
  • Librería Perelló (Valencia)
  • Librería Elías (Asturias)
  • Donde los libros
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)

This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory.Moving chronologically, the book adopts the three phases in the history of capitalist hegemony since the nineteenth century—liberal, organized, and neoliberal capitalism—to consider world popular music in each of these cultural contexts. While capitalism is now everywhere, its history has been one borne out of racism and masculine hegemony. Early Europeanization and globalization have had a major impact upon western race/gender/sexuality/capitalist hegemony, while nascent technologies of capital have led to a renewed reification and exploitation of racialized, sexualized, and classed populations. This book offers a critique of the relationship between emergent capitalist formations and culture over the past hundred years. It explores the way that world popular music mediates economic, cultural, and ideological conditions, through which capitalism has been created in multiple and heterogeneous ways, understanding world popular music as the production of meaning through language and representation. The various dimensions considered in the book are the work of critical social science—a critique of capitalism’s impact upon popular music in historical and world perspective.This book provides a powerful contemporary framework for contemporary popular music studies with a distinctive global and interdisciplinary awareness, covering empirical research from across the world in addition to well-established and newer theory from the music disciplines, social sciences, and humanities. It offers fresh conceptualizations about world popular music seen within the context of globalization, capitalism, and identity.

Artículos relacionados

  • Hear the Beat, Feel the Music
    James Joseph
    How do you count music? What’s an 8-count? How do you find the beat in a song?This book, along with more than 20 YouTube videos, will teach you how to count music the easy way—using the 8-count, the way dancers count. If you struggle to stay on the beat, the music lessons in this book are a mini-course in how to get rhythm. Being “rhythmically challenged” is not a lack of abili...
    Disponible

    15,54 €

  • Book of Rhymes
    Romane Armand
    What rhymes with Google, or Beyoncé, or better yet, what rhymes with ORANGE? This book full of words that rhyme together has all the answers! With over 50,000 rhyming entries, this essential reference tool will help songwriters, poets, and advertisers overcome writer’s block and quickly find the right rhyming word. It features slang, phrases, idioms, and pop-culture terms, not ...
    Disponible

    27,01 €

  • Encounters
    Nicholas Ng
    Addressing the themes of: music and history; tradition versus innovation; cultural diversity/intercultural creativity; and music and the related arts; this book  focuses on encounters between China and Australia from the earliest imaginings and representations to the latest cultural exchanges. Here, the reader will find of stories of forbidden love, prejudice and deceit, of ges...
    Disponible

    44,49 €

  • RIVERSONG
    Lee Underwood
    INTRODUCTIONNearly all of the poems included in Riversong are new.They are expressions of personal love, transcendentalrealization, and my deep involvement with nature and music.STREAM. . .RIVER. . .FLOW, that starts off the FOREVERSONGS Section, for example, is a journey from youth’s firstrealization of the power of music, when as a nine-year-oldboy, lying in bed, I held a pla...
    Disponible

    13,09 €

  • کمانچه نوازی نوین
    Sina Alam
    در این کتاب سعی کرده ام کمانچه را به عنوان یک ساز زهی_آرشه ای کامل و واقعی بشناسانم و تا جایی که می شود شخصیتی کششی برای آن بسازم .همچنین مقوله بسیار مهمی را که سال ها آهنگسازان و نوازندگان با آن درگیر بوده اند حل کنم-انتقالی بودن ساز کمانچه-.اشتباه بزرگی که موجب سختی در نگارش و نوازندگی می شد،نگاه انتقالی به این ساز بوده که درکتاب با نگاه بی طرفانه به حل این مشکل پُرداخته ام.ن...
    Disponible

    34,39 €

  • Alexander Serov and the Birth of the Russian Modern
    Paul du Quenoy
    When did Russia become 'modern?' Historians of Russia - including even many Russian historians - have long tried to identify Russia’s 'modern' moment. While most scholars have looked to economic or ideological transitions, noted historian and critic Paul du Quenoy approaches the problem through culture, and specifically the performing arts, as told through the prism of one of i...

Otros libros del autor

  • Trajectories and Themes in World Popular Music
    Simone Krueger Bridge
    This book traces the trajectories of modern globalization since the late nineteenth century, and considers hegemonic cultural beliefs and practices during the various phases of the history of capitalism. It offers a way to study world popular music from the perspective of critical social theory.Moving chronologically, the book adopts the three phases in the history of capitalis...
    Disponible

    50,76 €