Librería Samer Atenea
Librería Aciertas (Toledo)
Kálamo Books
Librería Perelló (Valencia)
Librería Elías (Asturias)
Donde los libros
Librería Kolima (Madrid)
Librería Proteo (Málaga)
Left-handers have been described as 'a people without a history'. This special issue provides scholarly analyses of aspects of asymmetry in history, from the Renaissance to the 20th Century. Lauren Harris presents three studies describing: An 1811 American child-care manual for parents fearing, 'lest their children should be left-handed'; Manuals on swordsmanship from the Renaissance onwards describing the 'accepted minority' of left-handed swordsmen, a minority that still dominates the Olympics; The enigmatic bias whereby parents use their left arm to carry babies; Janet Snowman and Stephen Christman present two papers on left-handed musical geniuses: William Crotch, the self-taught, 18th Century, musical prodigy, whose unconventional left-handed playing styles stimulate many questions about the asymmetries of stringed instruments;Jimi Hendrix, the 20th Century, left-handed, guitarist of whom Robert Krieger said, '... he was just so different. He just came from such a left-field place.'Chris McManus, Richard Rawles, James Moore and Matthew Freegard describe an early BBC TV programme presented in 1953 by Jacob Bronowski on right and left-handedness. In an early example of viewer participation, 6000 people sent postcards describing their handedness and also their perceptions of a 'mystery picture', that was the duck-rabbit figure from Wittgenstein’s recently published Philosophical Investigations. Chris McManus and Janet Snowman describe A left-handed compliment, a newly discovered lithograph by John Lewis Marks (ca. 1795-6 - ca. 1857-61). Given Marks’,'seeming love of vulgarity for its own sake', there is probably an obscene sub-text reminiscent of a Donald McGill postcard.
