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This volume, 'Sur L’ancienne Copie De La Cène De Léonard De Vinci Au Musée Royal,' by Aimé Guillon De Montléon, offers a detailed comparison of an early copy of Leonardo da Vinci’s masterpiece, 'The Last Supper,' housed in the Royal Museum, with the version at the Charterhouse of Pavia, and a recent copy used for a mosaic in Milan. The dissertation, originally presented to the Fourth Class of the Institute, provides valuable insights into the historical context and artistic interpretations of da Vinci’s iconic work.De Montléon’s study is a significant contribution to the understanding of Renaissance art and the enduring legacy of 'The Last Supper,' making it an essential resource for art historians, scholars, and anyone interested in the dissemination and reproduction of one of the world’s most famous paintings.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
