Stanley Cavell and Film

Stanley Cavell and Film

Catherine Wheatley

54,67 €
IVA incluido
Disponible
Editorial:
Bloomsbury Publishing plc
Año de edición:
2021
ISBN:
9781350191358
54,67 €
IVA incluido
Disponible

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'Film is made for philosophy,' asserted Stanley Cavell. In addition to his work on scepticism, morality, and the intentions and meanings of ordinary language, the American philosopher wrote fascinatingly about cinema, arguing that film can reveal new ground for thinking through old philosophical problems. In this book, Catherine Wheatley draws upon Cavell’s explicitly film-inspired works, key philosophical concepts and autobiographical writings, examining his analyses of films from Hollywood’s Golden Age, the French New Wave, contemporary action cinema, silent film heroes Chaplin and Keaton, directors Cocteau and Hitchcock, and performers Greta Garbo and Ginger Rogers. Revealing the ways in which Cavell’s thinking was shaped by the movies, Wheatly poses the question: what was it about film that taught the philosopher how best to live in the world?

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Otros libros del autor

  • Stanley Cavell and Film
    Catherine Wheatley
    'Film is made for philosophy,†? asserted Stanley Cavell. In addition to his work on scepticism, morality, and the intentions and meanings of ordinary language, the American philosopher wrote fascinatingly about cinema, arguing that film can reveal new ground for thinking through old philosophical problems. In this book, Catherine Wheatley draws upon Cavell’s explicitly film-ins...
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    Catherine Wheatley
    'This is a bold, lucid, fiercely intelligent book, a vital addition to the study of contemporary cinema by one of the UK’s brightest young film critics.' · ScreenExisting critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d’Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular enterta...
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  • Michael Haneke’s Cinema
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    'Wheatley provides excellent close readings of a number of films and crucial film scenes. The book as a whole could be used in conjunction with a film course on Haneke, or its various chapters would lend themselves to discussions in graduate and even undergraduate courses on contemporary European film...The writing style is clear and while it pursues a critical theoretical anal...