Sharing the 'Sacra'

This is an excellent book that adds to the anthropological and historical literature on shared sacred sites. The majority of the articles are very well written, present strong arguments that are revealed with important research. The result is that the book adds to and clarifies some of the debates about the sacred sites, how they are shared as well as the role of the various actors involved in the process. The cases are varied, rich and evocative. Furthermore they are of contemporary importance and relevance. · Karen Barkey, Columbia University'Shared' sites, where members of distinct, or factionally opposed, religious communities interact-or fail to interact-is the focus of this volume. Chapters based on fieldwork from such diverse sites as India, Nepal, Sri Lanka, China, Turkey, Morocco, Tunisia, and Vietnam demonstrate how sharing and tolerance are both more complex and multifaceted than they are often recognized to be. By including both historical processes (the development of Chinese funerals in late imperial Beijing or the refashioning of memorial commemoration in the wake of the Vietnam war) and particular events (the visit of Pope John Paul II to shared shrines in Sri Lanka or the Al-Qaeda bombing of an ancient Jewish synagogue on the Island of Djerba in Tunisia), the volume demonstrates the importance of understanding the wider contexts within which social interactions take place and shows that tolerance and intercommunalism are simultaneously possible and perpetually under threat.Glenn Bowman is Reader in Social Anthropology at the University of Kent where he directs the postgraduate program in the Anthropology of Ethnicity, Nationalism, and Identity. He has done extensive field research on Jerusalem pilgrimages as well as on intercommunal shrine practices in the Middle East and the Balkans. In addition to this research on holy places he has worked in Jerusalem and the West Bank on issues of nationalism and resistance for nearly thirty years and has carried out fieldwork in the former Yugoslavia on political mobilization and the politics of contemporary art.