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In the aftermath of the air campaign that began Operation Desert Storm, the US Air Force sought to measure US success in the military-technical and organizational innovation that occurred during the Gulf War and its impact on the future evolution of military art. From the perspective of the Air Force, the success of the war was based on planning and execution by the US air and naval strike forces during the initial aero-space operation, which set the stage for follow-on air-ground operations. These operations culminated in the defeat of Iraqi forces in theater and the liberation of Kuwait with few allied casualties. This success attracted considerable attention within the US Air Force and led to the reorganization of US Airpower for the Post-Cold War environment, which was characterized by local conflicts and Operations Other Than War. This success led the US Air Force submit this concept as the 'centerpiece' for its input to the Quadrennial Defense Review of 2001. Air power theorists promoted this emerging concept as Effects-Based Operations (EBO). EBO emphasized that the goal of any conflict was to cause the adversary to act in accordance with US national interests, and that this could be achieved by the application of superior technology, against selected targets, to cause an effect. Though this was not a new concept, EBO was a new means to apply force in military operations. Over the past decade there has been confusion on what is EBO, its capabilities and necessity. So where does all the confusion come from? Is contention by the service components regarding EBO just petty semantics or obstructionist in-fighting over a 'rice bowl'? The divisive inter-service politics of EBO is utilized to illuminate certain issues but will not be researched and discussed in great detail for this monograph. It is unlikely that the Army will incorporate the term 'EBO', but apparently, effects-based approaches have been, and will continue to be, intertwined within doctrine and tacThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
