Rethinking the Romantic Era

Rethinking the Romantic Era

Kathryn S. Freeman

52,72 €
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Disponible
Editorial:
Bloomsbury Publishing plc
Año de edición:
2022
Materia
Literatura: historia y crítica
ISBN:
9781350194939
52,72 €
IVA incluido
Disponible

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Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues among these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author’s oeuvre, from Coleridge’s 'canonical' poems such as Rime of the Ancient Mariner, through Robinson’s lyrical poetry and novels such as Walsingham,to Mary Shelley’s fiction, including Frankenstein, Mathilda, and The Last Man.

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Otros libros del autor

  • Rethinking the Romantic Era
    Kathryn S. Freeman
    Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues among these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enl...
  • British Women Writers and the Asiatic Society of Bengal, 1785-1835
    Kathryn S. Freeman
    Tracing the literary relationship between British women and the Asiatic Society of Bengal, Kathryn Freeman argues that women writers, distinct from their male counterparts, interrogated Orientalist distortions of India through the lens of gender. Her study invites us to rethink the Romantic paradigm of canonical writers as replicators of Orientalists’ cultural imperialism in fa...