Inicio > Artes > Cine, televisión y radio > Películas, cine > Teoría y crítica cinematográficas > Reframing Trauma in Contemporary Fiction Film
Reframing Trauma in Contemporary Fiction Film

Reframing Trauma in Contemporary Fiction Film

Tarja Laine

128,43 €
IVA incluido
Consulta disponibilidad
Editorial:
Bloomsbury Publishing plc
Año de edición:
2023
Materia
Teoría y crítica cinematográficas
ISBN:
9781793651945

Selecciona una librería:

  • Librería Samer Atenea
  • Kálamo Books
  • Librería Elías (Asturias)
  • Librería Kolima (Madrid)
  • Librería Proteo (Málaga)
¡Pregúntanos!
Sobre IBD

In this book, Tarja Laine provides insights into how traumatic cinema invites profound affective engagement with the pathology of memory that lies at the heart of trauma. The author reveals that traumatic cinema communicates the inability to process a traumatic event by means of its aesthetic specificity as a time-based medium.

Artículos relacionados

  • Seeking Perfection
    Jonathan Melville
    A behind the scenes look at the making of Tremors and its sequels in the 25th anniversary year 'This high-access tell-all...[is] an unexpected treat' - 4/5, Empire Welcome to Perfection, Nevada A throwback to the kind of sci-fi B movies that had long gone out of fashion, Tremors was a box office flop that became a home video phenomenon, spawning multiple sequels and a shor...
    Disponible

    24,92 €

  • On Location in Blairstown
    David Grove
    On location in Blairstown: The Making of Friday the 13th covers the creation, planning and filming of the iconic 1980 film, Friday the 13th in a way that no other film has been documented before. Through the memories of the cast and crew, many speak for the first (and last) time, as well as previously-undiscovered production information and materials, On location in Blairstown ...
    Disponible

    35,50 €

  • On Location In Blairstown
    David Grove
    On location in Blairstown: The Making of Friday the 13th covers the creation, planning and filming of the iconic 1980 film, Friday the 13th in a way that no other film has been documented before. Through the memories of the cast and crew, many speaking for the first (and last) time, as well as previously-undiscovered production information and materials, On location in Blairsto...
  • PRINCESS MONONOKE
    Jeremy Mark Robinson
    PRINCESS MONONOKE: HAYAO MIYAZAKI: POCKET MOVIE GUIDEREVISED AND UPDATED, WITH NEW ILLUSTRATIONS This book focusses on Hayao Miyazaki’s 1997 masterpiece Princess Mononoke. Princess Mononoke is a work of genius. It is a masterpiece. It is one of the most staggeringly incredible films you will ever see. By any standards you want to apply, the level of imagination and artistry ...
  • SPIRITED AWAY
    Jeremy Mark Robinson
    SPIRITED AWAY: HAYAO MIYAZAKI: POCKET MOVIE GUIDEREVISED AND UPDATED, WITH NEW ILLUSTRATIONS This book focusses on Hayao Miyazaki’s 2001 masterpiece Spirited Away, winner of the Best Animated Movie Oscar. Spirited Away (Sen to Chihiro no Kamikakushi) is without a doubt a masterpiece of cinema, and one of Hayao Miyazaki’s great works. It is one of the most spectacular films of ...
  • THE JAMES BOND MOVIES OF THE 1980s
    Thomas A. Christie / Thomas AChristie
    THE JAMES BOND MOVIES OF THE 1980sBy Thomas A. Christie A survey of the series of James Bond films, which have long been considered among the most popular and successful of British movies, and have also come to be regarded as a useful barometer of Western geopolitical attitudes throughout the series’ long-running duration. This new book from Thomas A. Christie takes a look at ...
    Disponible

    26,72 €

Otros libros del autor

  • Emotional Ethics of The Hunger Games
    Tarja Laine
    Emotional Ethics of The Hunger Games expands the ’ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, ...
    Disponible

    86,82 €

  • Emotional Ethics of The Hunger Games
    Tarja Laine
    Emotional Ethics of The Hunger Games expands the ’ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, ...
  • Bodies in Pain
    Tarja Laine
    The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator's lived body. Aronofsky's films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered "cerebral" because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, ad...
    Disponible

    38,26 €

  • Bodies in Pain
    Tarja Laine
    'Bodies in Pain offers nuanced and persuasive interpretations of Darren Aronofsky’s films, yet it is more than a study of an auteur director. Rather, Laine conceptualises film authorship as a co-creative process that involves the intentions and achievements of the filmmaker...[and] attributes to Aronofsky a distinctively corporeal audio-visual style that produces visceral, emot...
  • Feeling Cinema
    Tarja Laine
    There is an upsurge of interest in contemporary film theory towards cinematic emotions. Tarja Laine’s innovative study proposes a methodology for interpreting affective encounters with films, not as objectively readable texts, but as emotionally salient events. Laine argues convincingly that film is not an immutable system of representation that is meant for (one-way) communica...
    Disponible

    51,33 €

  • Feeling Cinema
    Tarja Laine
    There is an upsurge of interest in contemporary film theory towards cinematic emotions. Tarja Laine’s innovative study proposes a methodology for interpreting affective encounters with films, not as objectively readable texts, but as emotionally salient events. Laine argues convincingly that film is not an immutable system of representation that is meant for (one-way) communica...