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Le livret d’opéra français de Lully à Gluck, 1675-1779 examines the evolution of the French opera libretto during a pivotal period in musical history. Eugène de Bricqueville explores the characteristics and transformations of the libretto, tracing its development from the era of Jean-Baptiste Lully to that of Christoph Willibald Gluck. This study provides valuable insights into the literary and dramatic aspects of French opera, highlighting the changing tastes and aesthetic ideals that shaped operatic productions in France. This work offers a detailed exploration of the libretti that provided the foundation for some of the most significant operas of the late 17th and 18th centuries. It is an essential resource for scholars and enthusiasts interested in the history of opera, French literature, and the cultural landscape of early modern Europe.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
