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Le Code Civil Et Le Théâtre Contemporain examines the influence of the French Civil Code on contemporary theater, with a particular focus on the works of Alexandre Dumas fils. F. Moreau explores how legal themes and societal norms reflected in the Civil Code are portrayed and critiqued in Dumas’ plays. This analysis provides insights into the cultural and legal landscape of 19th-century France, highlighting the interplay between law, morality, and dramatic expression. This book offers a valuable perspective for scholars and enthusiasts of French literature, legal history, and theatrical studies.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
