Kameruńska tożsamość kulturowa i kino

Kameruńska tożsamość kulturowa i kino

Arcéne Raoul HENOCK

95,23 €
IVA incluido
Disponible
Editorial:
KS OmniScriptum Publishing
Año de edición:
2025
ISBN:
9786208578077
95,23 €
IVA incluido
Disponible

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Sobre IBD

Niniejsza praca stawia pytanie, czy kino promuje kameruńską tożsamość kulturową i za pomocą jakich środków wyrazu. Opierając swoje badanie na podejściu socjokrytycznym stworzonym przez Claude’a DUCHETA i Edmonda CROSA, ma na celu zdefiniowanie, co oznacza kameruńska tożsamość kulturowa, oraz zajęcie się kwestią poszukiwania tożsamości w kinie kameruńskim poprzez prześledzenie początków kina w Kamerunie do 2000 roku. Ma na celu podkreślenie związku między niespecyficznymi elementami filmu, elementami dźwiękowymi zdefiniowanymi przez Martina MARCELA i kameruńskimi elementami społeczno-kulturowymi. Proponuje analizę sposobu, w jaki kameruńscy twórcy filmowi odnoszą się do realizmu społecznego zarówno pod względem ekspresji w projekcie wizualnym, jak i w projekcie dźwiękowym, a także do realizmu treści w temacie. W podsumowaniu stwierdzono, że lokalne kino wzmacnia kameruńską tożsamość kulturową w zakresie realizmu treści i tematów ekspresji.

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