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Martin van Creveld, a noted theorist, contends that the concept of operational art did not take off in the United States (US) until after the Vietnam War. Conversely, James Schneider, a prominent military theorist, asserts that operational art began in the American Civil War. This monograph provides a holistic analysis of four Plains Indian War Campaigns. Lieutenant General (LTG) Philip Sheridan conducted all four campaigns. This analysis illustrates several enduring principles of both operational art and counterinsurgency (COIN) operations. The purpose of the monograph is to explain the initial failure of LTG Sheridan’s 1876 Centennial Campaign against the Sioux and Cheyenne Indians. Additionally, this explanation relates the significance of LTG Sheridan’s planning to contemporary COIN campaign planning. The overall methodology is the incorporation of four case studies to test the theory of sanctuary control and elimination of resources to defeat insurgencies. The four case studies include: the 1868-1869 Cheyenne War, the 1874-1875 Red River War, the 1876 Centennial Campaign, and the 1876-1877 Sioux Campaign. The case studies use three essential structural variables or frameworks. The first framework evaluates the strategic context to deduce the strategic aims and operational objectives. This provides the ends that the Army or tribe attempted to achieve. The second structural analysis uses the elements of operational art described to assess the campaigns. The third aspect of the case study evaluates tenets of current US Army COIN principles. The monograph contains three key findings. The first key finding is that the failure at the Little Big Horn was LTG Sheridan’s fault not LTC Custer’s, and this directly relates to the second finding. The second key finding is the importance of operational art in designing a campaign plan to link tactical actions to strategic objectives. The third finding is the efficacy of some of the current COIN tenets. The doctrinal analysiThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
