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Il Cerchio Che, Secondo Dante, Fa Parere Venere Serotina E Mattutina, Secondo I Due Diversi Tempi, by Antonio Lubin, explores a specific passage within Dante Alighieri’s works, likely within the Divine Comedy. This 1892 treatise offers an in-depth analysis of Dante’s depiction of Venus as both the evening and morning star, examining the symbolic and allegorical significance of this celestial representation.Lubin’s work delves into the astronomical and theological contexts surrounding Dante’s poetry, providing insights into the poet’s worldview and his intricate use of imagery. This study is valuable for scholars of Italian literature, Dante enthusiasts, and those interested in the intersection of poetry, religion, and science in the late 19th century. It offers a unique perspective on a particular facet of Dante’s genius, highlighting the enduring relevance of his masterpiece.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
