Librería Desdémona
Librería Samer Atenea
Librería Aciertas (Toledo)
Kálamo Books
Librería Perelló (Valencia)
Librería Elías (Asturias)
Donde los libros
Librería Kolima (Madrid)
Librería Proteo (Málaga)
Raymond Durgnat, in his essay ’The Mongrel Muse’, discusses an aspect of form which has interested many works of film criticism and theory: film as a composite medium, consisting of a number of expressive chains. Some of these chains (including the combinations of styles, tones, and genre signifiers) may be said to characterise artistic expression more generally. Some (including the simultaneous combinations of different artistic forms, levels of narration, and - fundamentally - images and sounds in montage) may be seen as more quintessentially ’cinematic’.2 Criticism has regularly returned to a discussion of narrative film’s development of a series of conventions which collectively strive to overcome the risk of fragmentation implicit in this chain-structure by engendering, instead, a sense of continuity