Ferruccio Busoni / Frederick Herman Martens / Johann Sebastian Bach
Librería Samer Atenea
Kálamo Books
Librería Elías (Asturias)
Librería Kolima (Madrid)
Librería Proteo (Málaga)
'Fifteen Two-Part Inventions for the Piano' is a definitive collection of contrapuntal masterpieces designed by Johann Sebastian Bach to cultivate both finger dexterity and musical expression. These short, instructional pieces are cornerstone works for any student of the keyboard, emphasizing the independence of hands through intricate melodic interplay. This edition is enhanced by the significant editorial contributions of the celebrated pianist and composer Ferruccio Busoni, whose analytical approach provides valuable guidance on articulation, phrasing, and dynamics.Throughout the collection, Bach explores various musical motifs and keys, making the inventions indispensable for developing a strong technical foundation and a sophisticated understanding of Baroque musical structures. Accompanied by the scholarly work of Frederick Herman Martens, this volume remains a vital resource for pianists and educators alike. Whether used for formal pedagogical purposes or personal study, 'Fifteen Two-Part Inventions for the Piano' represents a pinnacle of keyboard literature, bridging the gap between mechanical exercise and profound artistic performance. This collection is essential for those seeking to master the complexities of polyphonic music and the nuances of piano technique.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
