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Della Legge Archetipa Dei Suoni Armonici Delle Corde, Del Moto Vibratorio Dal Quale Derivano, E Della Interpolazione Dei Suoni Armonici Negli Intervalli Dei Toni Degli Strumenti Ad Arco E Della Voce Umana Precipuamente - Memoria V esplora in profondità le leggi archetipiche che governano i suoni armonici prodotti dalle corde. Francesco Zantedeschi analizza il moto vibratorio da cui questi suoni derivano e l’interpolazione degli stessi negli intervalli tonali degli strumenti ad arco e della voce umana. Quest’opera rappresenta un contributo significativo allo studio dell’acustica musicale e alla comprensione teorica della produzione del suono negli strumenti musicali e nella voce.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
