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Librería Kolima (Madrid)
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Like a farmer rotating his crops, Peter Wortsman periodically ploughs words back into the mulch of meaning. Romanian émigré DADA poet Tristran Tzara (aka Samuel Rosenstock, 1896-1963) gave it a name: cut-up (or 'découpé' in French). Wortsman reverts to cutups when he’s too distracted, depressed, dumbfounded or deranged to write in the regular manner. As the isolation of virtual lockdown during the seemingly interminable Covid-19 pandemic stretches into its third year, Wortsman, a modern-day monk, languishes in the solitude of his cell, longing for meaningful communion. Absent belief in a transcendent being, cutups take the place of prayer.