Librería Samer Atenea
Librería Aciertas (Toledo)
Kálamo Books
Librería Perelló (Valencia)
Librería Elías (Asturias)
Donde los libros
Librería Kolima (Madrid)
Librería Proteo (Málaga)
To the hope of many and the disgust of some, a group of academics has, from 1996 onwards, yearly sent in a Nobel Prize nomination for Bob Dylan, nominating him to be rewarded the Nobel Prize in Literature. Thirteen years later, Dylan has not yet received the Nobel; Bob Dylan could not care less. In contrast to Bob Dylan’s never-ending stoicism, however, the nomination revived the ongoing Dylan debate about Dylan’s canonical status in the academic world; Does Bob Dylan deserve the Nobel Prize in Literature? Is Bob Dylan’s art literature? Is Bob Dylan a poet? Is Bob Dylan high culture or mere pop culture? In the currently expanding field of literary Dylan Studies, there is the, logical, tendency to study Dylan’s songs from a textual perspective. In these analyses however, Dylan’s song lyrics are treated as mere words, text, entirely leaving his music out of the academic discussion. In this book, Frank Bond provides a critical look into the most prominent academic approaches to Dylan’s lyrics, and subsequently proposes a more productive and adequate analysis which also incorporates the musical elements of Dylan’s song lyrics.
