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Babel Alcochete Is the Gate of Eden

Babel Alcochete Is the Gate of Eden

Luis Pereira

11,66 €
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Editorial:
Austin Macauley Publishers Ltd.
Año de edición:
2026
Materia
Historia
ISBN:
9781035844067
11,66 €
IVA incluido
Disponible

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What if the western edge of Europe preserved an older map of beginnings?In this provocative investigation, Luís Pereira reopens the case of Eden, Babel, and the Trojan narrative-not as distant legends pinned to the eastern Mediterranean, but as layered memories embedded in the landscape of the Tagus estuary. Drawing on overlooked historical writers, biblical frameworks, classical hints about a far-western 'garden', and a dense web of local toponyms, Babel Alcochete is the Gate of Eden, proposing that Alcochete and its surrounding territories may preserve the structural footprint of an ancient civilisational hub: a second Eden in the land of Shinar; a Babel that later traditions displaced eastward; and a 'Trojan' conflict stripped of its religious core by modern retellings.This is not a demand for blind belief but a call for targeted research-where text, territory, and tradition can finally be tested side by side.UNESCO crowned an 'official' Troy in Ilion, Turkey, as if the memory of the West could fit into an incomplete scenario. Herbert, on the contrary, describes an entire story-a biblical one-where Eden is not an ornament but an origin. And the Greeks, in speaking of the garden of golden apples in the far west of Europe, left a clue. When Homeric Troy was amputated of its religious core, a secular Troy was born: a beautiful but dehydrated story, incapable of recognising Eden as the cradle of the cities of the Tagus estuary, open to the ocean.There is a contrast that is difficult to ignore. On one hand, the certified Troy in Ilion (Turkey) is dependent on a reconstruction that rarely presents itself as a complete narrative. On the other hand, Herbert’s reading is of biblical origin, which integrates Eden as a founding axis-precisely that 'garden of the far west' that Greek tradition echoes in the motif of the golden apples. The problem is that when Homeric Troy is reduced to a human drama and detached from its religious grammar, a secular story is gained, but the key is lost: the notion of Eden as origin-and, with it, the possibility of seeing the Tagus estuary, facing the Atlantic, as the cradle of an aggregated civilisational geography.

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