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This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com'A film that will let you see the music and listen to drawings; in a word, a film full of Fantasia!' Bruno Bozzetto’s Allegro non Troppotips its hand right away: it is an unabashed, yet full of admiration, retake on Walt Disney’s 1940 'concert feature'. The obvious nod to that model fuels many tongue-in-cheek jokes in the film; however, Allegro non Troppo soon departs from mere parody, and becomes a showcase for the multifaceted aesthetics of Italian animation in 1976, as well as a witty social satire and a powerful rethinking of the music-image relationship in cinema.Marco Bellano reconstructs the history of the production of Allegro non Troppo, on the basis of an original research developed with the contribution of Bozzetto himself; it also presents an audiovisual analysis of the work, as to reassess the international relevance of Bozzetto’s achievements by giving insight into the director’s creative process.
